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Save Parker Center

TONY ROSENTHAL’S FAMILY GROUP SCULPTURE TO RETURN TO THE CIVIC CENTER

• June 14, 2023 – The Cultural Affairs Commission hears plans to bring Tony Rosenthal’s The Family Group bronze out of storage and install it on the facade of LAPD Headquarters facing City Hall later this year. This is in satisfaction of requirements of the EIR. No word on any plans for Joseph Young’s colossal Theme Mural of Los Angeles mosaic wall removed from Parker Center’s lobby before demolition.

REDEVELOPMENT PLANS HALTED

• June 16, 2020 – “it became apparent that the… Project may no longer be in the best interest of the City.” – Bureau of Engineering report (PDF link)

BREAKING NEWS: FORGET IT, JAKE… THE FIX WAS IN!

• January 20, 2019 – Government transparency blogger Michael Kohlhaas publishes a shocking cache of emails (part 2) from the staff of PLUM Committee members Jose Huizar and Gil Cedillo to Little Tokyo business advocates and non-profit development organizations, crafting a false narrative of broad public support for the demolition of Parker Center in a quid pro quo exchange for political support for Little Tokyo’s First Street North development project. (The Brown Act was violated, too. Then Parker Center rats infested City Hall.)


Parker Center (Welton Becket & Associates and J. E. Stanton, 1955) in Downtown Los Angeles is a building that inspires strong feelings.

Architecture lovers admire its beautiful lines and integrated artwork and plantings. Crime historians marvel at the first modern police headquarters with its cutting-edge forensic science laboratory, built to the specifications of the legendary Ray Pinker. Film and television fans enjoy its stylish appearances from Dragnet to Inherent Vice.

But Parker Center also symbolizes the dark side of Los Angeles policing, and was a place where protesters came over many decades to challenge authority that harms their communities. And stakeholders in Little Tokyo regret the loss of a block of small businesses for Parker Center construction.

Despite the advocacy of the Los Angeles Conservancy, the Cultural Heritage Commission and independent preservationists and community members, Parker Center is a cultural and architectural landmark that is in grave danger of being destroyed within the year.

Attempts to preserve Parker Center have been stymied by Los Angeles politicians’ ambitions to redevelop the property surrounding City Hall. These plans have made it impossible to get a fair landmarking hearing for the building, even as the Los Angeles Conservancy’s independent analysis of the project suggests that as much as $100 Million in public funds could be saved if the structure was adaptively reused.

We are very concerned that the process by which landmarks are dedicated is not being allowed to follow its natural course, and that a great building might be lost for what is now only a speculative real estate development. We are also worried about what will happen to the art that exists within and on Parker Center: Bernard J. Rosenthal’s “Family Group” sculpture and Joseph Young’s “Theme Mural of Los Angeles” mosaic, which will be very difficult and expensive to remove from the lobby.

We will continue to advocate for the preservation and adaptive reuse of Parker Center, and will update this page with news as it happens.

A timeline of recent events:

Dear Councilmembers,

I wish it to be entered into the public record that emails from 2017 exist, released in response to a California Public Records Act request, that show the offices of PLUM Committee members Jose Huizar and Gil Cedillo colluding to bring supporters of the Go For Broke monument housing project and other Little Tokyo stakeholders to City Hall to testify in opposition to the landmarking, preservation and adaptive reuse of Parker Center, aka the Police Facilities Building (Welton Becket & Associates and J. E. Stanton, 1955).

These induced supporters appear to have comprised the vast majority of speakers who called for the demolition of Parker Center on moral grounds, due to the negative impact of eminent domain on the Japanese-American community, and the racism of LAPD under the leadership of Chief William H. Parker.

These emails can be found at the following URLs:

I quote one specific email in particular, from Gerald Gubatan, Planning Director for Gil Cedillo:

On Mon, Feb 6, 2017 at 2:02 PM, Gerald Gubatan <gerald.gubatan@lacity.org> wrote:

FYI – I saw Ken Bernstein informally today at City Hall and he advised that the President and Vice-President of the Cultural Heritage Commission intend to appear personally before the PLUM Committee to advocate for designation of the Parker Center building as a City Monument. Therefore, it appears there may be an organized effort on behalf of the City family to push for the designation.

Alternative perspectives need to be heard in a compelling and effective manner. Therefore, I strongly recommend mobilization and lining up of speakers; as well as communicating your position to Members of the PLUM Committee (via their respective staffs, today and tomorrow leading up to the 2:30PM hearing). I have noted the staff members from each office below:

Jose Huizar (Shawn Kuk, Kevin Ocubillo)
Marqueece Harris-Dawson (Lynnell Washington)
Mitch Englander (Hannah Lee)
Curren Price (Paloma Perez-McAvoy)

I’ve copied Joanne and Alan Kumamoto with whom I previously spoke about this matter.

Gerald

***

Parker Center was demolished on the basis of the PLUM vote taken after this testimony, with plans to erect a new tower on the site.

On June 16, 2020, the Bureau of Engineering issued a report stating that “it became apparent that the… Project may no longer be in the best interest of the City.”

Parker Center was demolished after a corruptly manufactured display of “community buy in” and now the Go For Broke project is moving forward through the city’s legislative process. It might well be a good project. But it behooves all of us as caring and engaged Angelenos to understand how it gained City Council support, and the useful and architecturally distinguished landmark that was destroyed along the way, at enormous cost.

Sincerely yours,
Kim Cooper, cultural and architectural historian / Esotouric
Los Angeles 90032

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